Adam Gibbs is a producer, consultant, and co-founder of Margot Station, known for his thoughtful approach to storytelling, efficiency, and collaborative spirit. With experience across both documentary and narrative filmmaking, he has worked on a wide range of projects that highlight compelling stories and unique perspectives.
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Most recently, Adam produced Yacht Rock: A Dockumentary as part of HBO’s Music Box series. Prior to that, he produced The Last Movie Stars, a six-part documentary on Paul Newman and Joanne Woodward, directed by Ethan Hawke and executive produced by Martin Scorsese for CNN Films and HBO Max. His other documentary work includes Woodstock 99: Peace, Love, and Rage, directed by Garret Price, as well as Love, Antosha and Finders Keepers, both of which premiered at Sundance before being released by Giant Pictures and 1091 Pictures. In addition to producing, he has supervised production on numerous films, including all of HBO’s Music Box series for Ringer Films. Through Margot Station, he continues to develop and produce a variety of documentary series and features.
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On the narrative side, Adam has produced We Don’t Belong Here, starring Catherine Keener and Anton Yelchin (Sony Pictures Worldwide), and Lucky Them, directed by Megan Griffiths and starring Toni Collette and Thomas Haden Church, which premiered at the Toronto International Film Festival before being released by IFC Films. He has also worked as a budget and production consultant on numerous projects.
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Beyond his work in film, Adam is a voracious reader, is a great cook and a better eater, and is a graduate of the University of Southern California.
Garret Price is an award-winning Los Angeles-based filmmaker and co-founder of Margot Station. He directed the critically acclaimed HBO documentaries Woodstock 99: Peace, Love and Rage and Yacht Rock: A Dockumentary, which was released in fall 2024 to great success. His directorial debut, Love, Antosha, premiered at the Sundance Film Festival in 2019.
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A graduate of the American Film Institute, Garret has worked as an editor on numerous acclaimed films, television series, and documentaries. His recent projects include Daisy Jones & The Six (Amazon Prime), The Last Thing He Told Me (Apple TV+), Under the Bridge (Hulu), Tiny Beautiful Things (Hulu), As We See It (Amazon Prime), and Surface (Apple TV+). He has collaborated with filmmakers such as Drake Doremus, Ed Zwick, Amy Berg, Jason Katims, Bryan Fogel, and James Ponsoldt.
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Garret loves strong coffee, his wife and two sons, and the Dallas Cowboys—despite their best efforts to break his heart.
Head of Development Nolan Peacock is an experienced executive and producer with a background in history and film studies. Nolan began his career in 2021 at Scout Productions after graduating from Georgetown University, and quickly found a passion for documentary storytelling. With a knack for research and character development, he worked across many projects, including "Merpeople" for Netflix, exploring the world of underwater performers, and "I Love You, You Hate Me" for Peacock, examining the backstory and cultural impact of Barney the Dinosaur.
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Nolan also served as associate producer on "The Secrets of Hillsong" for FX, a collaboration with Vanity Fair Studios charting the rise and fall of the celebrity megachurch and its lead pastor Carl Lentz. Nolan continues to widen his experience in documentary filmmaking, crafting engaging narratives that resonate with audiences across platforms worldwide.
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Outside of work, Nolan is an avid skier, runner, and hiker, enjoys cooking and baking, and is a devoted fan of physical media. He hails from Houston, TX and is always on the hunt for good Tex-Mex in Los Angeles.
Head of Operations and Creative Director Benjamin Kaufman's background in creative business started in fine art, public art and design. He opened a lowbrow art gallery called Hold Up Art and consulted for other LA based galleries until 2012, when he pivoted to artist management, working full time with an art collective called CYRCLE, developing fine art shows, art works and the corresponding content for galleries and museums across the globe. CYRCLE collaborated with artists such as JR and Vhils, and designed products and pieces for clients such as MGM Grand, Reebok, Cannon and DC Shoes.
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In 2015, Ben helped to refine a concept for a multidisciplinary management and production company with producer Coleen Haynes (HSI, Black Dog Films), called MAAVVEN, where the company focused on creating synergies among multifaceted visual artists. At MAAVVEN he oversaw management of a roster of over 20 artists including Floria Sigismondi, Philippa Price, Fatima Robinson and Nina McNeely. Clients included the likes of Katy Perry, David LaChappell, Sigur Ros, Noname and St. Vincent, and brands such as Balmain and Redbull. He also produced videos for Universal Music and Warner Music, developed and launched a dance event series called Congress, with Denna Thomsen and Zak Ryan Schlegel, and has worked on creative direction, consulting and production for 88 Rising (Niki and Joji).
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In 2020 Ben left MAAVVEN to focus on consulting. At Margot Station he's been focused on company operations, finding unique approaches to building community, creating and refining marketing outreach and design strategies, as well as collaborating on multipe productions. Often challenging industry standards, he works to develop efficient, creative strategies for bringing stories to life.
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Ben lives in east LA and is interested in the intersection of high and low brow, believes in the utility of a purse and is considering adopting a standard poodle.
Producer Loe Fahie is a multi-faceted powerhouse with a proven track record spanning two decades in entertainment production. With extensive experience in notable networks - including Food Network, HBO, Discovery, Comedy Central, CNN and Lifetime - Loe has successfully completed numerous projects, including competitive cooking series like Food Network's family of Chopped and Iron Chef America along with innovative documentaries such as HBO's Music BoxSeries.
Her notable roles as EIC, Production Manager, Line Producer, and Docu-film Developer demonstrate her versatility across different formats and genres. She leverages her skills in development to create dynamic and unexplored content, while managing logistics, budgets, operations, and detailed project execution for Margot Station.
Built on the success of her expansive career, she now manages multiple international projects from both sides of the pond, complete with stubborn chickens, her beloved English Springer Spaniel Deptford, and Bodega cat - named in honor of her Brooklyn roots.
Producer and Post Production Supervisor Mark Sean Haynes is based in New York City and for the past seven years he’s worked in the entertainment industry managing independent and studio films. The projects he has overseen have played at film festivals across the world, including the Cannes Film Festival, the Venice International Film Festival, the Toronto International Film Festival, the New York Film Festival, and Sundance. He regularly works with studios such as Searchlight and Netflix, as well as smaller studios and companies like A24, Killer Films, and Neon. Some of the more prestigious projects he has worked on include the Academy Award nominated film The White Tiger, the Independent Spirit Award winning Uncut Gems, and the critically lauded First Cow and Showing Up. He is actively working on projects with filmmaker Ramin Bahrani, producer and basketball legend Lebron James, and Blumhouse.
Mark Sean considers himself an audiophile and music fanatic. His family moved to Seattle in 1989, right at the start of the grunge boom. In his teens and early twenties, he was a singer in the punk band The Scoundrels, a fact which he frequently reminds his friends when drinking in dive bars in Brooklyn.
Key Production Accountant Aaron Ockman spent his formative years in a suburb of Philadelphia. He attended Stanford University, and worked in San Francisco's Hi-Tech industry for a few years after graduating, before moving to Los Angeles to follow his dream of producing feature films. Aaron was employed by Neo Art & Logic who had an overhead deal with Dimension Films, where he learned to develop and produce films. He produced five films and developed countless others.
Aaron quickly realized that the part he enjoyed the most was working on the cost reports- yes, we were surprised to hear this as well! Aaron transitioned into film/TV accounting where he has been the Key Production Accountant on over 10 feature films and TV shows. These projects include Miramax's Harvest Moon, and all six features in HBO's Ringer Music Box series. Aaron was a consultant for Miramax's Film Finance division for over a year when he stepped in as their temporary head of Film Finance as they searched for a new one.
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Aaron frequents flea markets and estate sales looking for antique cameras to add to his collection, is an avid international traveller, and loves watching So You Think You Can Dance with his two daughters.